{"title":"Effects Pedals","description":"","products":[{"product_id":"line-6-pod-hd-multi-effects-unit","title":"Line 6 POD HD Multi Effects Unit","description":"\u003cdiv style=\"text-align: center;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003ch2\u003e\n\u003cspan\u003e\u003cem\u003e\u003cstrong\u003eEXPORT PRICE\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e\u003cem\u003e\u003cstrong\u003e - £149.00\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003ePreowned - Very Good Condition\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cspan\u003eSince debuting at the turn of the century, the digital-modeling members of Line 6’s POD family have become fixtures in both project and pro studios everywhere. Ranging from the pint-sized Pocket POD to the POD X3 Pro rackmount, POD products are available to fit nearly every budget and feature-set requirement. And the enduring appeal of the brand and the bean-shaped enclosure speak to the basic usefulness of the platform.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe POD HD is the newest member of the family, and it’s packed with great simulations—including 22 amplifier models based on classics like the Fender Deluxe Reverb, Hiwatt DR103, and Vox AC15, as well as modern and boutique models like the Dr. Z Route 66, Bogner Überschall, and an ENGL Fireball 100. It also has more than 100 Line 6 M-series effects that model both classic and obscure distortions, fuzzes, reverbs, pitch shifters, delays (with tap tempo), and EQs.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAlthough the POD HD is optimized for recording, it can also be used as a compact practice unit. Complete with a tuner and a 48-second looper, it practically begs you to plug in your axe and a set of headphones to start laying down tracks, overdubbing, and adjusting speed and playback.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOn the Surface\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eWith 13 knobs and 13 buttons, the somewhat intimidating-looking POD HD looks more like a deep sea rover control than a guitar effect. But with a little patience and homework, the controls and parameters quickly become second nature. The largest knobs are the same basic controls you’d find on most amps—Drive, Bass, Middle, Treble, Presence, Volume, and Master, the latter of which controls overall output. The wild card of the batch is the Tweak knob, which can be assigned to either an amplifier sound or an effect and used to modify parameters in real time as you would with an expression pedal.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe effect chain is controlled from the central LCD screen, where you can utilize up to eight effects at a time. But there’s more flexibility than just lining up effects. You can insert two amp models in your signal path and pan them left and right. These functions are manipulated via the Signal Flow View, which is controlled with the multi-function knobs below the LCD. The addition of the 4-way Nav pad allows you to effortlessly move an amplifier or effect into the desired position or loop in the signal chain.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eApart from Left and Right 1\/4\" outputs, there are connections for Line 6’s FBV line of foot controllers, an XLR input, a USB 2.0 jack for direct computer recording and software updates, and a S\/ PDIF jack to output a 24-bit digital signal. Line 6 clearly went the extra mile to make this POD quickly adaptable to modern studio needs. I wouldn’t worry about coddling this thing either—short of a direct blow to the LCD screen, this thing looks like it can take a serious beating.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSound Off\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eI put the POD HD to the test with Fender and Squier Stratocasters and a Gibson Les Paul. To monitor the effects, I used a pair of headphones and a Blackstar HT-5R. Pushing the Set List button brought up four preset lists designed by Line 6, each with 64 editable tone combinations, but you can also save up to eight total Set Lists.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe first preset on my list was “Jimi Got Gyped,” which is built around models of a Marshall JTM-45, a Univibe, a Fuzz Face, and a tape echo. The convincing tone from these very difficult-to-model sounds speaks volumes about how the POD has evolved. But the extent to which you can tweak any part of a given preset is the real leap forward. When I thought the Univibe was a touch slow, I scrolled over to the stompbox section of the Signal Flow display and used the Nav pad to kick up the HZ from 0.10 to 1.00. The correction in speed left the speakers sounding a bit bright, however, so I highlighted the amp and changed from an emulation of a 4x12 cab with Greenbacks to a 1x12 Celestion 12-H and switched the simulated microphone on the Set List. Problem solved!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCreating your own presets is simple, and the tweakability and customization possibilities are virtually endless. You don’t have to be a gear wizard to find a tone that’s suitable for your project. In fact, most of the amp namesakes serve as a very accurate general reference point that you can tailor to your guitar and output preferences. Even the weirder presets (“Otherness” and “Haunted Toys” are just two of the many I tried) are easy to use, musical, and perfect for those interested in prog rock or noise projects—especially when used with the fantastic stereo output.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAlthough most players will use the POD more as a recording solution than as a stompbox, you can navigate to a level control to optimize output for use with an amp. And when I routed the POD into an amp this way, it responded in a manner similar to plugging into a pedalboard and then into an amp. For instance, rolling off both the Stratocaster’s and the Les Paul’s volume knobs really affected the drive of the amp simulations in a way you’d expect from pedals going into an amplifier.\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Line 6","offers":[{"title":"Default Title","offer_id":36047771336856,"sku":"","price":179.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1809\/1781\/products\/4I1A2711-2_49334b2d-0612-4dfc-9d9c-9e3c0cecb96c.jpg?v=1677421804"},{"product_id":"copy-of-pigtronix-gatekeeper-micro-effects-pedal","title":"Pigtronix Tremvelope Modulation Pedal","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eTremvelope puts a new spin on a classic effect. This tremolo pedal allows the dynamics of your playing to change the speed and depth of the effect. The result brings traditional sound to a whole new level that is intuitive, engaging and totally addictive.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eTremvelope is a versatile, high fidelity optical tremolo with stereo panning outputs. The Tremvelope’s fat sounding audio path is modulated by SPEED, DEPTH and WAVEFORM controls. When the envelope is switched on, the tremolo effect is influenced by what you play. The SPEED and DEPTH knobs can each be assigned to increase or decrease in response to the strength of the signal coming from your instrument. These changes start from where the knobs are set and independently move in the assigned direction.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eThe ACCELERATION switch adjusts the response time of the tremolo to changes in your playing and the SENSITIVITY knob provides control over the amount of increase it takes to create changes in the tremolo settings. Expression pedal inputs for speed, and vol \/ pan add external foot control to this animated beast of a pedal. There is also a TRIGGER input for running the Tremvelope late in an effects chain but still allowing your clean signal (or even a different instrument entirely) to control the envelope directly.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFeatures:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e• Sine and Sawtooth Wave Options\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e• Mono or Stereo with Panning Output\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e• Switchable Envelope Control for LFO\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e• Variable Envelope Sensitivity and Acceleration\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e• Speed and Depth increase or decrease independently\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e• Trigger input for clean signal direct to Envelope and Beat Sync\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e• Expression Pedal inputs for Speed and Vol \/ Pan\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e• Pigtronix 18VDC power supply included\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e• High Fidelity Analog Optical circuit\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e• Circuit Design by Howard Davis\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e• Sound Design by David Koltai\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e• Chassis Size = 5.7” x 4.7” x 1.5”\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e• Voltage: 18V DC\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e• Current Draw: 40mA @ 18V\u003c\/div\u003e","brand":"Pigtronix","offers":[{"title":"Default Title","offer_id":42271995003115,"sku":"","price":5.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1809\/1781\/products\/Screenshot2022-01-02at20.41.58.png?v=1780592725"},{"product_id":"pigtronix-bob-weir-real-deal","title":"Pigtronix Bob Weir Real Deal","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBob Weir’s Real Deal acoustic preamp by Pigtronix provides crystal-clear, super-loud acoustic guitar tone while faithfully maintaining the organic wooden sound of the instrument like no other pedal has ever done.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBob Weir and long-time Grateful Dead tech guru and Weir’s personal Front of House engineer, Mike McGinn, developed the principle behind the Real Deal in an effort to crank Bob’s acoustic guitar loud enough in the live mix while retaining the natural, unplugged sound of the instrument. The technology they developed to achieve this goal involves using a pair of complimentary filters to split the acoustic guitar signal into low and high frequency bands, with independent preamp gain applied to each signal path. A mastering stage then combines the various inputs into a single mono output, resulting in a powerful world-class acoustic guitar tone.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBob Weir challenged Pigtronix to design a pedal to perform this unique type of processing using a low-noise, all-analog circuit, to deliver the ultimate live acoustic guitar sound. The engineering challenge involved with developing this pedal to create a realistic and amplified acoustic guitar sound in this way is no joke! First, the cutoff points of the two filters would need to be precisely matched and calibrated to avoid undesirable dips or bumps in the frequency response at the pedal’s output. Second, in order to optimize the acoustic sound from venue to venue and for each different guitar, the cutoff point where the two filters overlap also would need to be variable across a huge frequency range.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAs a solution, Pigtronix created a totally unique tracking filter. It allows the musician to adjust the cutoff point of both filters with a single knob, sweeping over a full decade of frequency range from 300 Hz to 3 kHz. This analog filter array—at the heart of the Bob Weir’s Real Deal acoustic preamp—uses Pigtronix custom-made optical components and 18VDC power to achieve the ultra-low noise and high headroom required when processing acoustic guitar.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBob Weir’s Real Deal acoustic preamp is universally compatible with any type of acoustic guitar pickup—from a simple, passive piezo element to complex active systems that use internal microphones, contact elements and\/or magnetic pickups. A source switch determines whether the high and low bands are fed by independent sound elements (such as a mic and piezo installed in one guitar) or a single pickup that is then split and sent through both filters. Single-source mode has the additional benefit of allowing the Real Deal to be used to process the sound of an electric guitar or any other instrument. An additional TRS balanced input, equipped with switchable 48V phantom power, allows external microphones of all types to be incorporated as well.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn presenting Bob Weir’s Real Deal acoustic preamp, Pigtronix is honored to make a contribution to Bob’s continuing legacy of sonic innovation. This legacy dates back to the late 1960s, when the Grateful Dead and their associates revolutionized the technology of live sound—re-defining the rock \u0026amp; roll concert experience. Over 50 years later, and in partnership with Pigtronix, Bob Weir is still innovating.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Single (TS) or Dual-Source (TRS) input\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Balanced (TRS) Input for External Mic\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Low-noise 24db \/ octave optical filters\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Crossover sweeps from 300Hz to 3kHz\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• 60db Gain on Microphone channel\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Phantom Power \u0026amp; Phase Inversion\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• 18VDC Power Supply Included\u003c\/span\u003e","brand":"Pigtronix","offers":[{"title":"Default Title","offer_id":42272035700971,"sku":"","price":129.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1809\/1781\/products\/Screenshot2022-01-02at21.06.53.png?v=1780592836"},{"product_id":"pigtronix-ringmaster-analog-ring-modulator-synth","title":"Pigtronix Ringmaster Analog Ring Modulator Synth","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePigtronix Ringmaster is a ring modulator synth designed to create analog harmonizer and tremolo effects that can be made to follow the notes you play. Expanding on the “Intelligent Ring Mod” found in the original Mothership pedal, Ringmaster adds LFO and Sample + Hold modulation sources, pitch following tremolo and well as wave shaping for both inputs to the analog multiplier circuit at the heart of this uniquely musical ring modulator.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe effect known as ring modulation is created by merging the audio signal from your instrument with an internally generated waveform called the carrier signal. A ring modulator multiplies the notes you play by the value of the carrier signal—and outputs the sum and difference of the frequencies present in each waveform. In the Ringmaster, Pigtronix real-time pitch-tracking technology is used to make the carrier signal follow the notes you play, to produce musical harmonizer effects unlike any other pedal. The Follow function in the Ringmaster can also be switched off to achieve a comprehensive range of atonal, metallic and bell-like tones found in vintage ring modulators.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRingmaster opens the door to a wide array of unique synthesizer tones by allowing the musician to modify both the input signal and the carrier signal, before they are multiplied together. The Source control blends between clean instrument signal and a pitch-following square wave feeding the multiplier, to increase harmonic content. The Gain control pushes the carrier signal into saturation—producing aggressive, non-linear slewing effects and brass sounds. Further warping and manipulation of the carrier signal is achieved with independent, on-board LFO and Sample + Hold function generators. These dual modulation sources can be used to add several layers of motion to the Ringmaster’s unique selection of harmony, ring-mod and tremolo effects.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn addition to tonal harmonizer and atonal ring modulator sounds, the Ringmaster features a Trem function, which divides the rate of the carrier oscillator down into the LFO range to create tremolo. When combined with the Follow function, the tremolo will speed up as the pitch of the input signal goes up, tracking the notes you play and automatically adjusting the rate of the tremolo instantly. This function works extremely well with monophonic (one note at a time) playing but can also produce dramatic and unconventional amplitude modulation effects when chords are played, essentially confusing the pitch-tracking circuit, which will jump to whatever note is loudest at any given moment.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe control voltage coming from the pitch-tracking system, as well as the CV signals coming from the LFO and Sample + Hold function generators can be used to modulate outboard gear via the Ringmaster’s CV output jack. This ¼” CV output can be used as an expression controller for other pedals such as the Pigtronix Mothership 2 pedal, or any synthesizer that allows for external CV control. The Ringmaster also allows for an external carrier to be injected into the multiplier, enabling cross-modulation of multiple instruments within a single pedal. Ringmaster is an ideal companion to the Mothership 2, delivering new modulation effects for guitar, bass, and anyone brave enough to plug in to the analog future of Pigtronix!\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Tunable Analog Harmonizer\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Pitch-tracking “Follow” ͟function\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Ring Mod and Tremolo modes\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Wide-range LFO\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Sample + Hold modulator\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Modulation CV output (0-5 VDC)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• External Carrier input\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Internal Carrier output\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• 18DVC included \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• True bypass\u003c\/span\u003e","brand":"Pigtronix","offers":[{"title":"Default Title","offer_id":42272147833067,"sku":"","price":279.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1809\/1781\/products\/Screenshot2022-01-02at22.19.29.png?v=1780592834"},{"product_id":"xvive-v21-echoman-analog-delay-pedal","title":"Xvive V21 Echoman Analog Delay Pedal","description":"\u003cspan data-mce-fragment=\"1\"\u003eThe Xvive V21 Echoman, designed by guitar effects guru Howard Davis, is a simplified monaural version of the Memory Analog Delay. It is a state-of-the-art design based on Davis's highly successful Deluxe Memory Man, acknowledged as among the best if not THE best analog delay pedal.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUp to 600 msec of delay time with no aliasing distortion. Buffered bypass with a 900K input impedance guarantees no tone sucking (loss of highs) due to pickup loading. Wide bandwidth - good high frequency response even at long delay settings. Feedback control allows self-oscillation if desired. Blend control allows adjusting the output from dry signal only to delayed signal only. High-tech filtering and noise reduction circuitry guarantee an excellent signal to noise ratio, even at long delay settings.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eFOR CHORUS EFFECT\u003c\/h3\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eSet BLEND for equal levels of dry and delayed signal, DELAY very short,MODULATION DEPTH high. FEEDBACK can be added to enhance the effect.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eFOR VIBRATO\u003c\/h3\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eThe delayed signal only is modulated. Set controls for the sound desired.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eFOR REVERB EFFECTS\u003c\/h3\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eSet DELAY short, MODULATION DEPTH all the way down or low, and BLEND for equal dry and delayed signal levels. Set the FEEDBACK high for multiple repeats that slowly die out. Feedback settings just before self-oscillation occurs will produce a \"bathtub reverb\" effect that can be varied with the delay and modulation settings.\u003c\/span\u003e","brand":"Xvive","offers":[{"title":"Default Title","offer_id":42272188891371,"sku":"","price":95.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1809\/1781\/products\/Screenshot2022-01-02at22.47.27.png?v=1780592831"},{"product_id":"foxgear-anubi-modulation-box-16-algorithms-128-presets","title":"Foxgear ANUBI MODULATION BOX (16 Algorithms 128 Presets)","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Anubi Box is the perfect addition to your pedalboard or your Amplifier’s FX Loop as a master FX unit, because it doesn’t convert all the signal into digital, but just respects your tone keeping the signal path 100% ANALOG. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnubi is able to give you one of the widest choice of premium designed Algorithms like in the list below. You can easily manage it by Midi pedalboard, or Midi Looper\/Switcher To Change up to 128 Presets with 16 different Algorithms. Also use MIDI to assign an expression pedal to modify each parameter like delay time, levels, speed, or Shimmer to be controlled like a sustain pedal in a piano to add the Shimmering, or again, pitch shifting to obtain a nice Whammy effect for solos.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFeatures \u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eBased on the trusty FV-1 Digital processor used in many boutique pedals, including our award winning Rainbow, the Anubi boasts a super bright LCD display, visible in any light conditions, and a super easy-to-use interface:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e• 100% Analog Signal Path to keep your signal intact\u003cbr data-mce-fragment=\"1\"\u003e• Stereo Engine (input \u0026amp; output)\u003cbr data-mce-fragment=\"1\"\u003e• Midi interface to manage Presets and EXP\u003cbr data-mce-fragment=\"1\"\u003e• 16 Algorithms (many are two algorithms together)\u003cbr data-mce-fragment=\"1\"\u003e• 128 Presets Available\u003cbr data-mce-fragment=\"1\"\u003e• 16 Midi Programmable Channels\u003cbr data-mce-fragment=\"1\"\u003e• LCD display\u003cbr data-mce-fragment=\"1\"\u003e• Analog MIX\u003cbr data-mce-fragment=\"1\"\u003e• Digital Programmable Mix\u003cbr data-mce-fragment=\"1\"\u003e• 100% Analog Signal Path\u003cbr data-mce-fragment=\"1\"\u003e• Class A buffered Bypass with Relay Alogrithms List\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eROOM CHORUS: CHORUS (Reverb + Chorus)\u003cbr data-mce-fragment=\"1\"\u003eVIBE CHORUS\u003cspan data-mce-fragment=\"1\"\u003e: \u003c\/span\u003e(Vintage Vibe Chorus)\u003cbr data-mce-fragment=\"1\"\u003eCHORUS A \u003cbr data-mce-fragment=\"1\"\u003eCHORUS B \u003cbr data-mce-fragment=\"1\"\u003eCHORUS C \u003cbr data-mce-fragment=\"1\"\u003ePHASEREV\u003cspan data-mce-fragment=\"1\"\u003e: \u003c\/span\u003ePhaser + Reverb\u003cbr data-mce-fragment=\"1\"\u003eSTEREOPHASE\u003cspan data-mce-fragment=\"1\"\u003e: \u003c\/span\u003eStereo Phaser\u003cbr data-mce-fragment=\"1\"\u003eECHORUS\u003cspan data-mce-fragment=\"1\"\u003e: \u003c\/span\u003eEcho + Chorus\u003cbr data-mce-fragment=\"1\"\u003eLESLIEVERB A\u003cspan data-mce-fragment=\"1\"\u003e: \u003c\/span\u003eRotary + Reverb\u003cbr data-mce-fragment=\"1\"\u003eLESLIEVERB B\u003cspan data-mce-fragment=\"1\"\u003e: \u003c\/span\u003eRotary + Reverb\u003cbr data-mce-fragment=\"1\"\u003eVIBERB\u003cspan data-mce-fragment=\"1\"\u003e: \u003c\/span\u003eVibe + Reverb\u003cbr data-mce-fragment=\"1\"\u003eAUTOWAHVERB\u003cspan data-mce-fragment=\"1\"\u003e: \u003c\/span\u003eAutoWha + Reverb\u003cbr data-mce-fragment=\"1\"\u003eWAMMER\u003cspan data-mce-fragment=\"1\"\u003e: \u003c\/span\u003ePitch Shifting\/Octaver\u003cbr data-mce-fragment=\"1\"\u003ePOLYPITCH\u003cspan data-mce-fragment=\"1\"\u003e: \u003c\/span\u003eMulti Pitch Options\u003cbr data-mce-fragment=\"1\"\u003eTREMOVERB\u003cspan data-mce-fragment=\"1\"\u003e: \u003c\/span\u003eTremolo + Reverb\u003cbr data-mce-fragment=\"1\"\u003eVINTPHASER\u003cspan data-mce-fragment=\"1\"\u003e: \u003c\/span\u003eClassic Phase\u003c\/p\u003e","brand":"Foxgear","offers":[{"title":"Default Title","offer_id":42557256007915,"sku":"","price":239.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1809\/1781\/products\/anubi1.jpg?v=1677422271"},{"product_id":"foxgear-fenix-rock-fet-overdrive-distortion","title":"Foxgear FENIX (Rock FET Overdrive\/Distortion)","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Fenix is one of Foxgear’s most versatile overdrive\/distortion pedals, and it's one of those “go-to” pedals that make it an indispensable member of a guitarist’s tone arsenal. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThanks to Foxgear’s pioneering distortion circuitry, “DynaFET™” the Fenix covers a wide-range of distorted tones, from early ’70s overdrive to modern hard-rock sounds and the great swath of all the dirt in between. It’s got a sensible and tweakable three band EQ, top jacks (so cables do not intrude on neighbouring pedals), true bypass switching, gain and volume controls. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Fenix by Foxgear is in a compact, illuminated housing and made of durable components that can take the heat of rough and tumble rock’n roll life. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGeneral Details\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePower In: 9 to 12VDC (negative TIP)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eConsumption at 9V\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u0026lt;100mA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInput Impedance\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u0026lt;=1M Ohm\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOutput Impedance\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u0026lt;=10K Ohm\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eS\/N ratio\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u0026lt;70db\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDistortion\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e max 2%THD\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWidth\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e60mm. (2,3”)\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eLength\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e 120mm. (4,7”)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHeight\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e 30mm. (1,1”)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWeight\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e 0,2Kg. (0,4lbs)\u003c\/span\u003e","brand":"Foxgear","offers":[{"title":"Default Title","offer_id":42559322849515,"sku":"","price":79.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1809\/1781\/products\/fenix1.jpg?v=1677422270"},{"product_id":"foxgear-ballade-80-s-classic-analog-chorus","title":"Foxgear BALLADE (80’s Classic Analog Chorus)","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"fill banner-link\" data-mce-fragment=\"1\"\u003eOne of the most important effects that created the distinctive sound of the guitar in the 80’s was without a doubt, the Chorus. The ability to make a basic clean sound become beautiful, lush, and ethereal was a milestone in the history of music. At that time the equipment was noisy analog, signal reducing pedals. Even \u003cem data-mce-fragment=\"1\"\u003eif\u003c\/em\u003ethey sounded good.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"text-box banner-layer x50 md-x50 lg-x50 y50 md-y50 lg-y50 res-text\" id=\"text-box-1765692227\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"text\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"text-inner text-left\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eStarting with an idea to hold true to the sound made famous by great units like the Boss CE-1 and CE-2, we kept the circuit totally analog and worked to design the unit to be super quiet, to not reduce signal in any frequency, and to have a better response in the Low frequency range making it exceptional for bass also.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAs with all other Foxgear pedals, the Ballade has Standard Audio-grade components in the audio path, (no SMD) and it is equipped with our own anti-pop relay assisted true bypass circuitry.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGeneral Details\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003ePower In: 9 to 12VDC (negative TIP)\u003cbr data-mce-fragment=\"1\"\u003eConsumption at 9V\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e \u0026lt;100mA\u003cbr data-mce-fragment=\"1\"\u003eInput Impedance\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e \u0026lt;=1M Ohm\u003cbr data-mce-fragment=\"1\"\u003eOutput Impedance\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e \u0026lt;=10K Ohm\u003cbr data-mce-fragment=\"1\"\u003eWidth\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e 60mm. (2,3”)\u003cbr data-mce-fragment=\"1\"\u003eLength\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e 120mm. (4,7”)\u003cbr data-mce-fragment=\"1\"\u003eHeight\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e 30mm. (1,1”)\u003cbr data-mce-fragment=\"1\"\u003eWeight\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e 0,2Kg. (0,4lbs)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Foxgear","offers":[{"title":"Default Title","offer_id":42559340249323,"sku":"","price":89.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1809\/1781\/products\/ballade.webp?v=1780592772"},{"product_id":"foxgear-cream-vintage-overdrive","title":"Foxgear CREAM (Vintage Overdrive)","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan color=\"#000000\" size=\"4\" face=\"Arial\" style=\"color: #000000; font-family: Arial; font-size: large;\" data-mce-fragment=\"1\"\u003eThe Cream derives its inspiration from vintage Screamers. It can easily be used as a stand-alone overdrive, or as an amp-booster. The tone stack has the feel of the collectable, legendary 808 circuits, and is capable of reaching those the old-school tones so suitable for blues-rock. The Cream provides an indispensable tone that every guitarist needs to have ready and on tap. Rock’n ROLL!\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan size=\"4\" face=\"Arial\" style=\"font-family: Arial; font-size: large;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGeneral Details\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003ePower In: 9 to 12VDC (negative TIP)\u003cbr data-mce-fragment=\"1\"\u003eConsumption at 9V: \u0026lt;100mA\u003cbr data-mce-fragment=\"1\"\u003eInput Impedance: \u0026lt;=1M Ohm\u003cbr data-mce-fragment=\"1\"\u003eOutput Impedance: \u0026lt;=10K Ohm\u003cbr data-mce-fragment=\"1\"\u003eS\/N ratio: \u0026lt;80db\u003cbr data-mce-fragment=\"1\"\u003eWidth: 60mm. (2,3”)\u003cbr data-mce-fragment=\"1\"\u003eLength: 120mm. (4,7”)\u003cbr data-mce-fragment=\"1\"\u003eHeight: 30mm. (1,1”)\u003cbr data-mce-fragment=\"1\"\u003eWeight: 0,2Kg. (0,4lbs)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Foxgear","offers":[{"title":"Default Title","offer_id":43435085693163,"sku":"","price":79.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1809\/1781\/products\/foxcream.webp?v=1780592834"},{"product_id":"flattley-pedals-centurion-transparent-overdrive","title":"Flattley Pedals Centurion (Transparent Overdrive)","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCondition - Brand New\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe “Centurion” pedal is Flattley Guitar Pedals version of a very famous type of transparent overdrive pedal. This pedal is perfect to use on its own to get mild gain sounds that just starts to break up or go full tilt to get a full-on overdrive sound when your amp is set on the clean channel. Alternatively, you can use this pedal to boost an over-driven tube amp or overdrive, distortion, fuzz and muff pedals that will give an amazing sound, clarity and tone. This pedal also cleans up when you turn down the guitar volume without losing the overall volume levels so it is a very versatile pedal that can be used for many different types of applications.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCenturion hints and tips:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Centurion is a transparent overdrive in the same way that a Klon Centaur is. Transparent means that it doesn’t drastically change the colour of your tone so when you turn the pedal on, it won’t sound like a different guitar tone. It will sound like the same tone, but better. My Strat is just “more Strat”… etc.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is achieved by separating the frequency spectrum up into several bands and treating each differently. Bass frequencies are passed through untouched giving a full bottom end, treble frequencies also pass through but can be boosted by the tone control, mid frequencies go through a soft clipping circuit to give them an amplitude dependent boost to the harmonics. The gain control controls gain and volume simultaneously to vary the sensitivity and width of the mid band of frequencies.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe pedal also acts as a buffer when in standby which is an advantage if you use it as the first pedal in a chain of effects. This gives you two ways to use the Centurion…\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt can be used as a clean boost for your amplifier. A booster adds some extra girth to your signal to push your amp a little harder. Set up a clean tone on your amp and experiment with the pedal. Start off with a low drive level, then gradually build the pedal gain up as you play. You’ll learn how the pedal changes as you add in more gain. If you have a tube amp, you’ll be able to hear how the pedal also begins to push your amp at a certain stage.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eYou can also set your amp to the point where it’s on the verge of breaking up, then use the pedal to push the amp into overdrive. This is another common way of using a transparent overdrive pedal.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAnother way to use a Centurion is to stack it with other drive pedals. You can use a pedal (or your amp) to produce your main drive tone, then you can add in the Centurion when you want your tone to have a bit more sparkle or boost.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe purple halo light ring installed diffuses the light when playing live, avoiding being blinded by the standard LEDs just as you are about to go into that all important solo thus giving a larger area to see where the pedal is located easily on the pedal board on darkened stages. The addition of the aluminium foot topper gives you more real estate for contact when switching the pedal on and off during quick changes when playing live.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAll Flattley “Platinum Range” pedals are hand processed in our Flattley paint shop. The bare aluminium enclosure is abraded prior to painting with the etch primer. The etch primer acts as a anti corrosive layer and allows the primer to bond to the enclosure ensuring a tough resilient paint finish.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMultiple coats of base coat primer are applied which are then lightly abraded to remove any blemishes or paint speckles prior to the application of the base colour. We apply several coats of base colour until an even coverage occurs and the base colour develops rich smooth depth. Metallic holographic chrome flake is then applied using a clear inter coat which adds that all important Flattley sparkle.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe pedal enclosure is now ready to be hydro dipped in its Flattley graphics. This is the process whereby the graphics are applied using water activated film, the residual PVA film is then washed off and the enclosure is then allowed to dry naturally.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOnce dried the lacquer process begins. Each “Flattley Platinum” pedal has a minimum of three coats of lacquer which are all wet sanded between coats. Once the lacquer has hardened, it is then hand polished using three different grades of polishing compounds and it then has a final polish to achieve a high gloss finish using a wool finishing pad. This process gives the smooth deep lustre finish that is inherent in all Flattley Guitar and Bass effects pedals.\u003c\/p\u003e","brand":"Flattley Pedals","offers":[{"title":"Default Title","offer_id":44173675987179,"sku":"","price":179.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1809\/1781\/files\/4I1A3344.jpg?v=1696422070"},{"product_id":"flattley-pedals-poison-ivy-octave-harmonic-fuzz","title":"Flattley Pedals Poison Ivy Octave Harmonic Fuzz","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCondition - New.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe “\u003cstrong data-mce-fragment=\"1\"\u003ePoison Ivy\u003c\/strong\u003e” octave harmonic fuzz pedal is modelled on a 60’s\/early 70’s style Super Fuzz\/Uni Fuzz but with some modern adjustments to improve the sound qualities.  The poison ivy is based on germanium diodes to give that vintage era fuzz sound. The 2-position tone network switch offers a choice between the full signal and a scooped signal that is more gritty.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe expander control takes the fuzz sound from a wide fuzz sound to a completely over the top Velcro ripping tight fuzz sound, providing some great octave tones.  There is no holding back with this fuzz pedal, it’s awesome and it’s almost like having two completely different fuzz pedals in one box.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe blue halo light ring installed diffuses the light when playing live, avoiding being blinded by the standard LEDs just as you are about to go into that all important solo thus giving a larger area to see where the pedal is located easily on the pedal board on darkened stages. The addition of the large aluminium foot topper gives you more real estate for contact when switching the pedal on and off during quick changes when playing live.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAll Flattley “Silver Range” pedals are hand processed in our Flattley paint shop. They are etch primed first to ensure that the primer bonds to the aluminium enclosure which also provides an anti-corrosive protection layer. Multiple coats of base coat primer applied, the silver base coat colour is then applied and topped off with several coats of lacquer. Once the lacquer is hardened, it is then hand polished to achieve the smooth deep lustre finish that is inherent in all Flattley Guitar and Bass effects pedals. The graphics designed in house by our graphics designer Phoebe Flattley are applied to “Silver Range” effects pedals by UV direct printing in our printing shop.\u003c\/p\u003e","brand":"Flattley Pedals","offers":[{"title":"Default Title","offer_id":44314330726635,"sku":"","price":150.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1809\/1781\/files\/4I1A3325.jpg?v=1699646694"},{"product_id":"flattley-pedals-revolution-dynamic-overdrive","title":"Flattley Pedals Revolution Dynamic Overdrive","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe “\u003cstrong data-mce-fragment=\"1\"\u003eRevolution\u003c\/strong\u003e” dynamic overdrive pedal is a powerful and very flexible overdrive pedal. It’s based on a tube screamer style circuit but on “steroids” giving you smooth creamy overdrive tones full of depth and reactive sounds depending on your style of playing. It comes installed with a three-way toggle switch which gives you complete overdrive tonal flexibility when you need it. With the switch in the centre position the overdrive circuit runs through an Op amp integrated circuit, the switch in the upper\/forward position the circuit runs through silicon diodes, the switch in the rearward\/aft position runs through LED diodes providing three different types of overdrive clipping. The Revolution gives you three separate overdrive pedals in one box and is one of my personal all-time favourite pedals.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe blue halo light ring installed diffuses the light when playing live, avoiding being blinded by the standard LEDs just as you are about to go into that all important solo thus giving a larger area to see where the pedal is located easily on the pedal board on darkened stages. The addition of the aluminium foot topper gives you more real estate for contact when switching the pedal on and off during quick changes when playing live.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAll Flattley “Platinum Range” pedals are hand processed at the Flattley paint shop. The bare aluminium enclosure is abraded prior to painting with the etch primer. The etch primer acts as a anti corrosive layer and allows the primer to bond to the enclosure ensuring a tough resilient paint finish.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMultiple coats of base coat primer are applied which are then lightly abraded to remove any blemishes or paint speckles prior to the application of the base colour. They apply several coats of base colour until an even coverage occurs and the base colour develops rich smooth depth. Metallic holographic chrome flake is then applied using a clear inter coat which adds that all important Flattley sparkle.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe pedal enclosure is now ready to be hydro dipped in its Flattley graphics. This is the process whereby the graphics are applied using water activated film, the residual PVA film is then washed off and the enclosure is then allowed to dry naturally.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOnce dried the lacquer process begins. Each “Flattley Platinum” pedal has a minimum of three coats of lacquer which are all wet sanded between coats. Once the lacquer has hardened, it is then hand polished using three different grades of polishing compounds and it then has a final polish to achieve a high gloss finish using a wool finishing pad. 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The amount of feedback has been chosen to just allow the delay to go into infinite repeats to give the pedal the ability to produce spacey abstract effects as well as normal delay effects.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe purple halo light ring installed diffuses the light when playing live, avoiding being blinded by the standard LEDs just as you are about to go into that all important solo thus giving a larger area to see where the pedal is located easily on the pedal board on darkened stages. The addition of the large aluminium foot topper gives you more real estate for contact when switching the pedal on and off during quick changes when playing live.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAll Flattley “Silver Range” pedals are hand processed at the Flattley paint shop. They are etch primed first to ensure that the primer bonds to the aluminium enclosure which also provides an anti-corrosive protection layer. Multiple coats of base coat primer applied, the silver base coat colour is then applied and topped off with several coats of lacquer. Once the lacquer is hardened, it is then hand polished to achieve the smooth deep lustre finish that is inherent in all Flattley Guitar and Bass effects pedals. 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customers are responsible for the import taxes and duties when arrived at your country.\u003c\/strong\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eIf you require any more information please feel free to look us up, ProTone Music is a VAT registered business in the UK and are one of the uk's leading specialist dealers in high end, rare and preowned guitars and amplifiers, we pride ourselves on offering the best one on one customer service and advice, all our pictures are our own as we do all our photography in house so what you see is exactly what you receive.\u003c\/div\u003e","brand":"Pigtronix","offers":[{"title":"Default Title","offer_id":56178817991035,"sku":null,"price":95.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1809\/1781\/files\/IMG_5006.jpg?v=1774729927"},{"product_id":"wampler-moxie-mini-overdrive-pedal","title":"Wampler Moxie Mini Overdrive Pedal","description":"\u003cp\u003eCondition: 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